David Bedford was born in London in 1937 of a musical family. His grandmother was the composer Liza Lehmann, and his mother, Lesley Duff, was a member of the English Opera Group just after the Second World War, and took part in several Britten premières. He began composing at the age of seven and after attending Lancing College, where he studied with John Alston and Christopher Headington, went on to study at the Royal Academy of Music with Lennox Berkeley. A grant awarded by the RAM in 1961 enabled him to study with composer Luigi Nono in Venice.
In the late 1960s he played keyboards with Kevin Ayers’ cult band ‘The Whole World’, which led to numerous collaborations with musicians from the rock world, most notably in arrangements for Mike Oldfield (‘The Orchestral Tubular Bells’), Madness (‘Our House’), Elvis Costello, Frankie goes to Hollywood, Enya, Billy Bragg and many more.
He also orchestrated the films ‘The Killing Fields’, ‘Supergrass’, ‘Absolute Beginners’, ‘Meeting Venus’, ‘Orlando’, and was Choral Coordinator for ‘The Mission’. He wrote original music for several of the Hammer House of Mystery and Suspense TV series.
Another aspect of Bedford’s work was composing for educational purposes.
In the early 1960s he was the first composer in this country to go into schools and do creative work with pupils. He was appointed Youth Music Director of the English Sinfonia in 1986, and Composer in Association in 1994. His music in this genre ranged from small pieces for pupils with little or no musical knowledge, to 7 school operas. His innovative approach led to such works as ‘Seascapes’ (1986) and ‘Frameworks’ (1989), in which students were encouraged to create their own music in the context of a public concert with a professional orchestra - these two pieces have so far involved over 4000 students. His largest major educational piece until recently was ‘Stories from the Dreamtime’, (1991) for 40 hearing impaired children and symphony orchestra. From 1996 to 1999, he was Creative Projects Director for the Norfolk and Norwich Festival. 'The Wreck of the Titanic' written in 2009, became David's largest education piece and involves youth orchestra, wider opportunities beginners, youth chorus, children’s chorus and professional ensemble.
David had a long association with the Performing Rights Society (PRS) and was a founding trustee of PRS for Music Foundation. In 1994, he was elected to the board of the Performing Right Society, and was elected as Chairman 2002-2004. In 1998 he was awarded an Honorary Fellowship of Trinity College of Music.
For almost 50 years he received commissions from major orchestras, festivals, ensembles and soloists, including the Royal Philharmonic Orchestra, London Philharmonic Orchestra, Royal Liverpool Philharmonic Orchestra, English Sinfonia, English Chamber Orchestra, Scottish Chamber Orchestra, Academy of Ancient Music, Bakersfield Symphony Orchestra, John Alldis Choir, Singcircle, Crouch End Festival Chorus, Electric Phoenix, Endymion Ensemble, Sir Peter Pears, Jane’s Minstrels, BASBWE, The Composers Ensemble, Ensemble Bash, Aldeburgh Festival, Harrogate Festival, Spitalfields Festival, Chelmsford Festival, Huddersfield Festival, Kings Lynn Festival, Norfolk and Norwich Festival, Dartington International Summer School, Making Music and many BBC commissions including 4 for the Proms.
David lived in Bristol with his wife and three of his seven children. He died in October 2011.